In this book I focused on typography, the importance of negative space, and the game of black and white that creates the letterforms, and connected them to parts of the essays about the significance of seeing and knowing, as well as comprehending the life that happens in-between the facts.
Since one of the essays was comparing art and science, I set the text in a shape of a tree that can be seen in the cross-section of the cerebellum and is known as Tree of Life.
